By Charles C. Baldwin (auth.)
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R, C ...................... 7, ..... Beethoven In this connection it is interesting to note that Mozart's Melusina was first heard in this country in an arrangement by Richard Grant White. His sister tells us that, unable to buy scores of Haydn, Mozart and Beethoven, he made his own from the separate parts of the various quartettes which he wished to study, and that he used to sit and read these, lingering over favorite passages, as other people read and linger over volumes of verse. He attended every public performance of Beethoven's music in New York during more than thirty years .
Churchgoing, choir practice, church socials and bazaars, together with the weekly sewing circle, furnished the most stable and substantially the only recrea16 STANFORD WHITE'S FATHER 17 tion. Ferries, slow and inconvenient, furnished the sole means of communication with Manhattan. ) in New York, returning to Brooklyn only to sleep and eat. It was a simple if somewhat tiresome round of existence -early to bed, early to rise, and twice to church on Sunday. That was the rule; and Richard Mansfield White was not one to indulge his son in any exceptions.
The salary was eight dollars a week. McKim was twenty-three, and supremely happy-not only happy but fortunate, for he came naturally under the influence of Richardson's powerful and winning personality, learning much, experiencing more, being particularly attracted by the then novel doctrine which Richardson was preaching with such fine force: architecture is, if not the chief, certainly one of the most important of the fine arts, and must be practised as an art . . not as a trade or a profession.