By Kathleen Ann Myers
This ebook brings jointly the photographs and autobiographical texts of six 17th-century Latin American ladies, drawing on fundamental assets that come with Inquisition and canonization files, confessional and mystic journals, and felony defenses and petitions.
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Extra resources for Neither Saints Nor Sinners: Writing the Lives of Women in Spanish America
Example text
And the fact that so many matters hidden potential saints from wise and prudent men, are revealed and made manifest to the humble, to children, and to the unlettered. . ”46 Rosa had intuitive knowledge of God. What hagiographers like Hansen tended to ignore is that within ten years of this inquiry this same office severely undermined access to Rosa’s own words and those of her followers. Biographers and witnesses rarely mention the Holy Office’s second intervention in the 1620s when it confiscated Rosa’s works and began a systematic silencing of lay religious people close to her.
The board was set so that the shards stayed in place and would not fall to the floor, and the sticks, so that they would not lean against her body. 15 Rosa’s most famous biographer, Leonard Hansen, depicts her self-mortification in yet more detail. She walked barefoot in the garden with a heavy cross on her shoulders, suffered painful illnesses, and whipped herself as atonement for the sins of the world: Every night she whipped her back bloody so hard and cruelly that blood splattered the walls, the floor and her clothing, for the innocent maiden Rosa de Lima believed that she deserved all these punishments for her sins.
65 The prayers attributed to Rosa mention divine love, gratitude, and God’s magnificence. 66 Some of these devotional prayers were edited (and perhaps significantly changed) by church officials and then published as official texts. Rosa’s more elaborate work, the two-part iconolexic collage, “The Mercies” (Las mercedes) and “The Mystical Stairway” (La escala mística), however, was not published or mentioned in colonial texts. Through a series of cutout hearts pierced by arrows, crosses, and lances, each surrounded by a written motto, the collage expresses Rosa’s understanding of the mystic’s journey of purgation, illumination, and union with the divine.