By Kezia Page
Taking an interdisciplinary method, web page casts mild at the function of citizenship, immigration, and transnational mobility in Caribbean migrant and diaspora fiction. Page's ancient, socio-cultural learn responds to the final pattern in migration discourse that provides the Caribbean adventure as unidirectional and uniform around the geographical areas of domestic and diaspora. She argues that attractive the Caribbean diaspora and the big waves of migration from the sector that experience punctuated its history, involves not only realizing groups in host international locations and the conflicted identities of moment iteration subjectivities, but in addition examining how those groups interrelate with and impact groups at domestic. specifically, web page examines socio-economic and political practices, remittance and deportation, exploring how they functionality as tropes in migrant literature, and as methods of theorizing such literature.
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Extra resources for Transnational Negotiations in Caribbean Diasporic Literature: Remitting the Text (Routledge Research in Postcolonial Literatures)
Sample text
Obviously, both branches shared not only a colonial but also an enabling relation with London, so that in these negotiations England’s identity too is not one-dimensional. Clarke recounts how he was influenced by the program and by Selvon in particular, even before he emigrated to Canada and began to publish. He tells Craig in their interview that Selvon’s use of Trinidad speech in Londoners opened his eyes to what was linguistically possible, and that “that was the fi rst time we heard, coming from this established medium of the BBC, things about ourselves, and so we said, well, this is another aspect of the revolution” (Craig 124).
Of a European who comes from a country of a different language and culture” (126). This suggests either that by 1986 Clarke had revised his view of Canada, or that, as a privileged migrant who went to university in Canada, worked as a mainstream journalist and by the 1970s was a political candidate, he had never quite had to consider himself as an exile. In the interview, his discussion of the character Boysie in The Bigger Light, the 1975 second sequel to The Meeting Point (1967), indicates his view that the student, or “intellectual” does indeed encounter migrant space in a different way than (for example) the domestic workers in The Meeting Point.
The full reality of this demographic and cultural change has not yet come to pass in the world of the emigrants, since what Lamming is observing is only the beginning of the encounters. The book as a simulacrum of the full effect (the inescapable weaving together, the subversion of power relations, the semiology of arrival) that Bennett’s poem recognized, becomes prophetic, and the artist’s role as the man who sees (Prospero and Caliban alike) is fulfi lled. It is in this recognition of the novel’s tropological significance that we realize the importance of sex as trope in The Emigrants.