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By Peg Boyers

To put out of your mind Venice is the inconceivable problem and the name of Peg Boyers’s latest number of poems. the positioning of a number of unforgettable years of her early life, where she has back to extra usually than the other, town of Venice is either cherished and reviled through the audio system during this different and unconventionally polyphonic paintings. The voices we listen in those poems belong not just to characters just like the mom of Tadzio (think Death in Venice), or the spouse of Vladimir Ilych Lenin, or the Victorian prophet John Ruskin and his spouse, Effie, but additionally to wall moss, and sand, and—most especially—an authorial speaker who in 1965, at age 13, landed in Venice and not relatively recovered from the formative stories that formed her there. Ranging over numerous phases of a existence that includes adolescent heartbreak and betrayal, marriage and youngsters, friendship and loss, the e-book insistently addresses the author’s wish to unravel her obsession with a spot that has imprinted itself so profoundly on her consciousness.

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Extra info for To forget Venice

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29 Rooftop: Aerial View She is twelve, an expat brat in a bikini, sunbathing on a rooftop terrace. His terrace. He is her first Jewish Intellectual, a young scholar on a Fulbright photographing Venetian churches. Today, on the sly, he photographs her. It is not important. Only the sun is important, the bikini stencil it burns around her budding breasts, the terrace. There are fresh cherries too, and ice tea: so American she feels, so reassuringly American and adult, drinking ice tea, speaking English on the rooftop, at ease in a bikini, spitting pits into a green Murano dish.

I am listening to Nathan Milstein, your contemporary, play the Tchaikovsky violin concerto. The second movement—sweet, unbearable— followed by the steady rise towards a frenetic end as our landing gear slides into place with a jolt. The plane careens and dips. Allegro vivacissimo. The city beneath us suddenly sideways, then under us as we straighten out, regain balance, hit ground. Hysteria in the harmonics; sanity, dark and continuous, restored in the baseline. Blue, white, and yellow fireflies blink their SOS outside my window.

52 At Sea Drowning again, sucked into the undertow of the quotidian. I am whirling inside the wave, my feet flipped up like a whale’s tail. I sound for you but there is no answer. You are near, but invisible. I have almost found you. I know this the way I know that you are not dead, just lost. Or is it I who am drowning in my own dull panic and you who are trying to save me? A silent cough floats above me, a shimmering bubble that could only be yours, and in that bubble your bewildered face. I swim to you and am absorbed.

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