By Pamela Finnegan
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The tension of paradox: Donoso's The obscene bird of night as spiritual exercises / by Pamela May Finnegan. p. cm. - ( Monographs in international studies. Latin America series; no. 18) Includes bibliographical references ISBN 0-89680-169-1 1. Donoso, José, 1924- Obsceno pájaro de la noche. 2. Spiritual exercises in literature. I. Title II. ] -vi- CONTENTS Acknowledgements ix Introduction xi 1. The Epigraph 1 2. Mudito, The Exercitant 23 3. Mudito, The Prophet 62 4. Mudito's Manuscript 98 5. Linguistic Monsters or Linguistic Possibility?
Mudito, The Prophet 62 4. Mudito's Manuscript 98 5. Linguistic Monsters or Linguistic Possibility? 127 Appendixes A. Quotations in the Original Spanish 148 B. The Primary Works of José Donoso 168 C. ] -viii- ACKNOWLEDGEMENTS I would like to express my sincere appreciation to the following people: Professor Djelal Kadir for his unfailing support and guidance during the realization of this project; Professors Enrique Caracciolo-Trejo, Paul Dixon, and Floyd Merrell for their challenging observations regarding this project; and my family for their support and encouragement throughout this period of preparation.
However, Mudito himself functions alternatively as well, his passivity also being activity in that he wills himself mute, this in order to bear testimony to the absence of spirituality and of the creative potential of the Word. Mudito, the exercitant, sacrifices his voice in order to allow us to see and hear the materiality of life and yet grasp its lack of spirituality. As exercitant, he prophesies the impending void. If the exercitant seeks communion with God through silence, and if the progression epigraph--house--Mudito--spiritual exercises-incarnation orders our entry into the text, then the act of reading is analogically our communion with God.