By Anne O'Byrne (ed.), Hugh J. Silverman (ed.)
"Subjects and Simulations" offers essays concerned with soreness and sublimity, illustration and subjectivity, and the relation of fact and visual appeal within the twenty-first century. encouraged through the paintings of Jean Baudrillard, Philippe Lacoue-Labarthe and JeanLuc Nancy, 16 authors examine how the true reasserts itself in an age of each extra fragmented media, and the way paintings and literature provide us entry to types of fact that elude philosophy. How does illustration furnish us entry to where as soon as occupied by way of the topic? Is political lifestyles attainable? Can plural considering be retrieved? Will metaphor and simulation supply us methods of being in an evanescent world?
The quantity engages discussions of French and Continental philosophy, post-structuralism, deconstruction, simulacra, aesthetics, existentialism, and media idea.
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Additional resources for Subjects and Simulations: Between Baudrillard and Lacoue-Labarthe
Example text
Seduction is and is not always at work therein. The guiding question of Simulations would then not be about the truth of his analysis of the rise of thirdorder simulation and the disappearance of the real. It would instead be something like, why are the notions of the disappearance of the real, the decentering of the subject, of the loss of any essential, of the construction of so much that was once thought natural, why are these notions so very, very seductive to us today? The guiding question of Seduction would become, why is seduction itself so persistently seductive in the face of the opposition to it by the dominant forces of culture?
Thus in the opening pages of Simulations, playing with Borges’ tale of the mad cartographer who constructs a map of the empire so precise that it ends up exactly covering the territory, Baudrillard contrasts the cartographer’s enterprise of exactly representing the real with the advent of simulation: “Simulation is no longer that of a territory, a referential being, or a substance. ”2 Moreover, this change, from an epoch of simulations of realities to that of simulations of simulations without end, no longer representing anything real, has decisive consequences.
In other words, I will argue that beyond the legitimate relevance of some of Freud's concepts to the understanding of psychological phenomena, it is, paradoxically, the mythical dimension of Freudian psychoanalysis that secures its survival in our postmodern age. If, on the whole, patients and health practitioners, as well as the public at large, have become more conscious of the fallibility of medical sciences, this enhanced skepticism, combined with the ongoing crisis of authority and faith, has created an even greater need for meta-narratives and totalizing explanatory models.