Download Rabinal Achi: A Mayan Drama of War and Sacrifice by Dennis Tedlock PDF

By Dennis Tedlock

This is some of the most vital surviving works of pre-Columbian civilization, Rabinal Achi, a Mayan drama set a century prior to the arriving of the Spanish, produced by way of the translator of the simplest promoting Popol Vuh. the 1st direct translation into English from Quich? Maya, in response to the unique textual content, Rabinal Achi is the tale of city-states, conflict, and the Aristocracy, of international relations, mysticism, and psychic trips. Cawek of the wooded area humans has been captured by way of guy of Rabinal, who serves a ruler named Lord 5 Thunder. Cawek is a renegade, a warrior who has inflicted a lot agony on Rabinal. but he's additionally the son of the lord of the allied urban of Quich?--a noble who as soon as fought along guy of Rabinal. The drama offers the disagreement among the 2 in the course of the trial of Cawek, who defies his captors and proudly accepts demise via beheading. Dennis Tedlock's translation is apparent and brilliant; greater than that, it truly is rooted in an knowing of the way the play is de facto played. regardless of being banned for hundreds of years via Spanish experts, it survived in genuine perform, and continues to be played within the city of Rabinal at the present time. Tedlock's images and diagrams accompany the textual content, shooting nuances no longer obvious within the discussion on my own. He additionally presents an creation and remark that designate the historic occasions compressed into the play, the Spanish impact at the Mayan dramatic culture, and the cultural and non secular international preserved during this notable play. Rabinal Achi ranks as a vintage of Mayan literature--and a unprecedented window on an international that had but to be invaded through Europeans. Dennis Tedlock brings this drama to existence in all its richness.

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Extra info for Rabinal Achi: A Mayan Drama of War and Sacrifice

Example text

RABINAL ACHI OR DANCE OF THE TRUMPETS 33 11. Rabinal (left) and Cawek (right) dialogue in the foreground; in the background (from left to right) are Road Guide, Lord Five Thunder, the Mother of Quetzal Feathers, and Slave, none of whom has a role in this scene. Rabinal carries a rope (looped around his waist), but in this production he did not use it until the end of Cawek's eighth speech. And yet I should reveal my mountain my valley? Isn’t it clear that I blossomed on the slope of a mountain on the floor of a valley?

Veiled, carrying tall backpacks, one with the image of a pair of jaguars at its center and the other with a pair of eagles. Trumpeters, two in number. Dressed in white with red head scarf and sash, each with a long trumpet. Drummer, assisted by a drum carrier. Dressed like the trumpeters, plays a threetone slit drum with a pair of rubber-tipped sticks. Road Guide, dressed like the musicians, carrying a shoulder bag. The scene is a plaza or courtyard in a town surrounded by mountains. Note on recitation: Each of the lines in a speech should be followed by a pause.

Listen! Brave man Man of Glory Man of Rabinal: Is this what your words say, sir before Sky before Earth? ” so say your words, sir. Well then I delivered my announcement my cry to the Uxab the Pokomam: “Listen! Listen! You Uxab you Pokomam come on, pay attention to your orders your instructions from the navel of the sky navel of the earth,” I said over there and then the Uxab the Pokomam said in reply: “Listen! Listen! Brave man Cawek of the Forest People: RABINAL ACHI OR DANCE OF THE TRUMPETS Even if we got away from our mountain our valley we do not yet have many descendants here among my children among my sons.

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