By Helen Joseph Armstrong
Well known for its accomplished insurance, extraordinary illustrations, and transparent directions, Patternmaking for type layout bargains unique but easy-to-understand reasons of the essence of patternmaking. Hinging on a ordinary subject that each one designs are in line with a number of of the 3 significant patternmaking and layout principles–dart manipulation, extra fullness, and contouring–it offers scholars with all of the correct details essential to create layout styles with accuracy despite their complexity. a few cutting edge, new information during this ebook comprise: up to date with glossy, cutting-edge sketches and designs. DVD integrated at the back of the ebook. Ribbing further to the knit portion of bankruptcy 27. extra fabrics on kid's put on and swim put on. Knock offs. becoming corrections complex layout tasks a realistic creation to patternmaking entire assurance of the 3 steps of layout styles: dart manipulation, extra fullness, and contouring. bankruptcy initiatives
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Additional resources for Patternmaking for Fashion Design, 5th Edition
Example text
55 SLEEVE CAP EASE . . . . . . . . . . . . . . 56 Armhole Measurement . . . . . . . . . . 56 SLEEVE MEASUREMENT CHART . . . . . . . . . 56 SLEEVE DRAFT . . . . . . . . . . . . . . . . 57 3 chapter ADJUSTING SLEEVE TO ARMHOLE OF BODICE . . . 59 Determining Cap Ease . . . . . . . . . . 59 Adjusting the Armhole to Accommodate Cap Ease . . . . . . . . . . . . . . 61 Increase or Decrease the Biceps . . . .
5. Bony: Dominant clavicle. O-shape 4 5 FORM MEASUREMENTS AND FIGURE ANALYSIS 29 Shoulder/Hip relationship 1 2 3 Wide shoulder Narrow shoulder Small hips Wide hips 4 5 H: Shoulder/Waist/Hip 1. Ideal: Shoulder/waist/hip in harmony. 2. Hourglass: Created by a small waist. 3. Straight line: Slight waist definition. 4. Wide shoulder/narrow waist. 5. Narrow shoulder/wide hips. I: Leg Types 1 through 4. Identified by their names. J: Figure Stance The model’s stance affects the hang and balance of garments.
35 Front and Back—Form and Model . . . . . 35 Personal Fit: Asymmetric Verification . . . . 35 New Strap Measurement . . . . . . . . . 35 STANDARD MEASUREMENT CHART . . . . . . . 36 22 FORM MEASUREMENTS AND FIGURE ANALYSIS 23 WHO IS THE STANDARD IDEAL FIGURE? She is a composite figure whose measurement standards are based upon who is listening to whom. She evolved from consumer feedback to buyer, buyer to manufacturer, and manufacturer to model form company.