By David B. Downing, Susan Bazargan
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Extra info for Image and Ideology in Modern Postmodern Discourse
Sample text
The duplicity, along with the cinematic blendings of sight and sound''the visual echo of the aural movement"enables Pound to fuse the ideological connotations of images and their visual impact on the reader. " The political implications of such a revised poetics derive from the very assumptions that the meaning of images are never discretely in the text, nor ideally in the author's intention, nor merely in the reader, but rather in a dialogic engagement of many voices and positions which implicate each other.
On the contrary, Aristotle's concern in Rhetoric, Politics, and elsewhere is with the social and cultural force of argument and persuasion. Our point is simply to focus on the key conceptual move in the Poetics by which poetry could be objectified and thus subjected to formal analysis. Likewise, that the poem or drama could be treated as an object in the "natural order" of classifications does not suggest Aristotle's ignorance of the pure artifice of those formal elements. Rather the artifice could be treated like an isolated object to be analyzed whether that object were a human artifact, such as a building or a poem, or a natural object, such as an animal or a plant.
H. Allies, St. John Damscene on Holy Images (1898). See also Ladner, Barnard, and Earl. 19. The repercussions of St. John's privileging of the "natural" image over the "imitative" (the physis-thesis distinction) can be felt in later eras, in the valorization of forms of realism and naturalism in the arts. In the twentieth century, it is the photographic image more than any other form of representation that enjoys the highly privileged position of being a natural image, in that it is often perceived as being virtually identical with its prototype.