By Joseph Manca
On the banks of the Potomac River, Mount Vernon stands, with its iconic portico boasting breathtaking perspectives and with a panorama to rival the good gardens of Europe, as a monument to George Washington’s creative and inventive efforts. multiple million humans stopover at Mount Vernon each one year—drawn to the stature and wonder of Washington’s family members estate.
Art historian Joseph Manca systematically examines Mount Vernon—its stylistic, ethical, and historic dimensions—offering a whole photograph of this nationwide treasure and the guy in the back of its enduring layout. Manca brings to mild a Washington deeply inspired by way of his broad travels in colonial the USA, with a broader architectural wisdom than formerly suspected, and with a philosophy that trained his aesthetic sensibility.
Washington believed that layout offerings and private personality mesh to shape an ethic of advantage and achievement and that paintings is inextricably associated with ethical and social matters. Manca examines how those rules formed the fabric tradition of Mount Vernon.
Based on cautious research of Washington’s own diaries and correspondence and at the vigorous money owed of tourists to his property, this richly illustrated ebook introduces a George Washington unusual to many readers—an avid paintings collector, beginner architect, and prime panorama fashion designer of his time.
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Extra info for George Washington's Eye: Landscape, Architecture, and Design at Mount Vernon
Example text
Mahoney, T. Brannagan, Matthew Baldridge, and T. 42 It could well be that the Greenhouse’s pediment originally lacked the support of columns or pilasters, an arrangement often found elsewhere in Washington’s architecture (mansion house, icehouse, townhouses for the nation’s capital, and the Mount Vernon stable). 11. Greenhouse, upper garden, Mount Vernon (reconstructed 1950–1952). Washington designed the Greenhouse, which became the architectural centerpiece for the upper garden. Photo: Author.
49 His notes to Tilghman, his memorandum, and the drawings clearly show him in confident command of the most important design issues, and they offer a glimpse into how Washington designed buildings. 16. 5Љ ϫ 9Љ. Top, Recto. Bottom, Verso. Washington thought through the basic issues of size, style, and functionality of his Greenhouse and later altered the plan he had sketched out in this early draft. Courtesy of the Mount Vernon Ladies’ Association (1369b). house as twenty-four by forty feet, a harmonious 3:5 ratio, which is close to the Golden Mean.
Courtesy of the Mount Vernon Ladies’ Association (W-1369a recto). 7). 5) shows proportions that differ from the final result (cf. 1 and Plate 1) and indicate that this is also an early study. For example, the height of the pediment here is one-third the total height of the rectangular body of the house plus the pediment, whereas the ratio is 1:4 in the final building as we have it. The drawn pediment itself is 1:3 in its ratio of height to width, which does not hold for the pediment as built. The dormers in the sketch are one-fourth the height of the pediment, again differing from the final building.