By Peter Standish
This spouse quantity lines the evolution of the key inventive features of Mexican tradition from pre-Columbian occasions to the current. Dealing in flip with the cultures of Mesoamerica, the colonial interval, the onset of independence and the trendy period, the writer explores Aztec arts, the function of the acting arts within the strategy of evangelisation, manifestations of cultural dependence, of the hunt for nationwide identification, and the fight for modernity, drawing examples from such various actions as structure, portray, tune, dance, literature, movie and media. there's additionally a quick account of the specific features of Mexican Spanish. Maps, a chronology, a bibliographical essay and a long bibliography around off this entire advisor, making it an necessary learn software for these heavily attracted to Mexican tradition. Peter Standish is Professor of Spanish at one of many divisions of the collage of North Carolina approach.
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Extra info for A Companion to Mexican Studies (Monografias A)
Sample text
1 Futhermore, it must be borne in mind that there was discontent among the many peoples from whom the Aztecs were demanding tribute, and whom they had been raiding in order to capture candidates for sacrifice; these were factors that encouraged the aggrieved Indians to forge alliances with the Spaniards. Finally, the Spaniards had a more insidious and unconscious weapon in the smallpox that they inadvertently carried over from Europe and spread among people who had developed no resistance to the disease.
The Indians knew neither firearms CULTURES AND CONQUEST 21 nor horses and they were overawed by them. Their custom was to exact tribute from other peoples, and failing that to use force to subjugate them. More significantly for the present story, they engaged in ritual wars whose tactics were designed not to kill but to take captives for subsequent sacrifice: they thought killing them in action a waste. 1 Futhermore, it must be borne in mind that there was discontent among the many peoples from whom the Aztecs were demanding tribute, and whom they had been raiding in order to capture candidates for sacrifice; these were factors that encouraged the aggrieved Indians to forge alliances with the Spaniards.
In which men sang and danced their religious and esthetic devotion’ (40). Not that the Aztec performances were solely religious; some, in places such as markets, involved buffoonery and farce and seem to have been simply for entertainment. As it happened, a similar admixture of performance elements was not uncommon in Medieval and Renaissance Spain. The forms brought to Mexico, primarily from Extremadura and Andalusia, drew on three cultural traditions, the Islamic, the Jewish and the Christian.