By William Shakespeare
Hamlet, Macbeth, Othello… vous trouverez dans cette édition l’intégralité des oeuvres de Shakespeare :
les tragédies, les comédies, les romances, les pièces historiques ainsi que ses poèmes. Elle est assortie
d’annexes et de notes explicatives. L'édition comprend fifty three titres, 1300 notes interactives et des
centaines d’illustrations.
Les 12 Tragédies :
Antoine et Cléopâtre • Coriolan • Le most suitable Hamlet • Le moment Hamlet • Jules César • Macbeth • Othello • Le roi Lear • Roméo et Juliette • Timon d’Athènes • Titus Andronicus • Troïlus et Cressida.
Les 12 Comédies :
Beaucoup de bruit pour rien • los angeles comédie des méprises • Comme il vous plaira • Les deux gentilshommes de Vérone • Les joyeuses commères de Windsor • Le marchand de Venise • Mesure pour mesure • Le soir des rois ou ce que vous voudrez • Peines d’amour perdues • los angeles mégère domptée • Le songe d’une nuit d’été • Tout est bien qui finit bien
Les five Romances :
Le conte d’hiver • Cymbeline • Périclès, prince de Tyr • l. a. tempête • Les deux nobles parents
Les 10 Pièces Historiques :
Le roi Jean • Le roi Richard II • Le roi Richard III • Le roi Henry IV (1) • Le roi Henry IV (2) • Le roi Henry V • Le roi Henry VI (1) • Le roi Henry VI (2) • Le roi Henry VI (3) • Le roi Henry VIII.
Les 7 Recueils de poèmes :
Sonnets • Le pèlerin passionné • Le phénix et los angeles colombe • Vénus et Adonis • Lucrèce • l. a. plainte d’une amante • Le pèlerin amoureux.
Les Annexes :
Le testomony de William Shakespeare • William Shakespeare par Victor Hugo • Nouvelle étude sur Shakespeare, son génie et ses œuvres par Hippolyte Taine • Biographie • Citations • Illustrations pour les oeuvres de Shakespeare. • L’avertissement et los angeles préface de l. a. nouvelle traduction de Shakespeare par Victor Hugo.
Read Online or Download Œuvres complètes PDF
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Extra info for Œuvres complètes
Example text
A Portrait of the Artist'' Joyce began the earliest versions of what was ultimately to become A Portrait of the Artist as a Young Man even before the first of the Dubliners stories. He wrote a sketch, or story, which Stanislaus sug gested he call 'A Portrait of the Artist', in one day, 7 January 1904, after he heard that a new journal was being started, called Dana. He showed it to one of the editors, W. K. Magee (also called 'J°hn Eglinton', as in Ulysses) one evening at the National Library; Magee records that he read it in Joyce's presence and then 'handed it back to him with the timid observation that I did not care to publish what was to myself incomprehensible' (Workshop 200).
Joyce replied that he could not agree to Richards's request that he expunge or modify the story: 'I have written my book with considerable care, in spite of a hundred difficulties and in accord ance with what I understand to be the classical tradition of my art. You must therefore allow me to say that your printer's opinion of it does not interest me in the least' (II60). Unfortunately, however, given the publishing realities of the day (printers were held responsible, legally, for everything they printed), the printer's opinion did matter and could even be decisive.
I remember when I was a girl, and a young man fell in love with me, and he came and sang in the rain under an apple-tree outside my window, and he caught tuberculosis and died'. Dillon: As if she had never read the story! 2133]). Nora used to go out walking with William Mulvagh (pronounced and sometimes spelled 'Mulvey'), an accountant. ' The words 'she says' suggest uncertainty on Joyce's part, and in the same letter he also tells of an incident when she was sixteen; a young curate took her on his lap and 'put his hand up under her dress which was shortish.