By Alison Sim
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Sample text
19 Plasterwork and panelling were expensive options. A wall painting was a cheaper alternative. Many of these have not survived: the damp English climate is not good for them and they were in any case intended to be used in the way we use wallpaper, as a rather temporary form of decoration. When the paintings got a bit shabby or out of date, they were often painted over. Fortunately enough have survived to give an impression of what a painted room of the time looked like. Rooms were painted freehand and with stencils, or sometimes with a mixture of both.
Thanks as usual to Margaret Peach for editing and making comments in her own inimitable style. Last but not least, thanks to Malcolm and Moira Lewin, and Janet and Keith Waldock for chocolate, gin and sympathy. Introduction The sixteenth century in England was an age of change. The government became more centralised and powerful, changing the way the bureaucracy worked and the way the aristocracy behaved. The cultural changes of the Renaissance and the politics of the time became entwined so that the Church, the bedrock of medieval society, was weakened by the dissolution of the monasteries and by the religious tensions which eventually split the Roman Catholic and Protestant Churches.
13 Over time the wisdom of these ancients had come to be seen rather in the light of divine revelation, that is to say, something which was not to be questioned, but merely accepted. Now people began to question, but they had to do so cautiously and with considerable tact if they wished to avoid punishment. A good case in point is the science of medicine. In the early sixteenth century medicine was taught as a purely academic subject. The Tudors believed that everything was made up of the four elements of earth, air, fire and water.