Download Pen drawing; an illustrated treatise by Charles D Maginnis PDF

By Charles D Maginnis

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64. A. CAMPBELL CROSS. From Quartier Latin (Paris) 65. MUCHA. From a Poster Design 66. HOWARD PYLE. From "Otto of the Silver Hand," by Howard Pyle (Charles Scribner's Sons: New York) 67. WILL H. BRADLEY. From a Poster Design for The Chap-Book (Herbert S. Stone & Co: Chicago) 68. P. J. BILLINGHURST. From a Book Plate 69. " From a Poster Design 70. EDWARD PENFIELD. From a Design for the "Poster Calendar" (R. H. Russell & Son: New York) 71. LOUIS J. RHEAD. From a Poster Design for "Lundborg's Perfumes" 72.

FIG. 3 MAXIME LALANNE FIG. 4 FROM A PHOTOGRAPH FIG. 5 JOSEPH PENNELL A Word of Advice Between these two extremes of method there is a wide latitude for individual choice. Contrast with the foregoing the accompanying pen drawing by Mr. Pennell, Fig. 5, which gives a fair idea of the manner of this admirable stylist. Compared with the sketches by Lalanne it has more richness of color, but there is the same fine restraint, the same nice regard for the instrument. The student will find it most profitable to study the work of this masterly penman.

F. RAFFAËLLI The hats in Fig. 10 are merely suggestions to the student in the study of elementary combinations of line in expressing textures. Drawing for Reproduction As the mechanical processes of Reproduction have much to do with determining pen methods they become important factors for consideration. While their waywardness and inflexibility are the cause of no little distress to the illustrator, the limitations of processes cannot be said, on the whole, to make for inferior standards in drawing, as will be seen by the following rules which they impose, and for which a strict regard will be found most advisable.

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