By Jane Frank
This selection of paintings and essays, via the easiest of today’s technological know-how fiction and delusion artists—including Joe Devito, John Howe, Janny Wurts, Frank Wu, and others—presents candid evaluations at the back of the revolution now occurring within the box. Are pcs making a seismic shift within the construction of sf&f artwork, or are they simply one other software within the artist’s paint field?
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Additional info for Paint or Pixel: The Digital Divide in Illustration Art
Example text
The Voice overrode all privacy chips with a warpsonic emission to enforce compliance instantly and the clatter ceased. ” Bot SD-1 looked directly into Rembrandt’s eyes. He wanted to leave no doubt as to what Rembrandt meant and he asked, “Is it your contention, ArtBot+16, that beyond making yourself look human, that through your painting you can become human? ” “No! I am part of the Grid and I fully acknowledge what we have achieved through the One Law. But it must be acknowledged that creativity goes beyond zeroes and ones.
In the studio, you can move around, view from different angles, move the work to a different room and even go outside for lighting changes. You have much more the 3D effect — it’s atmospheric, if you will, and why Rembrandt painted so well. In the studio, with the rags, the mess, the surprising effects not anticipated, the colors running together to create something 44 Paint or Pixel Dream Fantasy Private commission, 1994 also featured on a Danbury Mint Collector’s Plate, 2002. Oil on board, c.
Raising four children by myself was not an easy job, but as I had already established a career with a distinct talent for creating life-like images of people, and was rather handy working with most mediums, I found I could meet the challenges of commercial art, too. Now the computer has become a major part of my working life, used for multitudes of purposes, from the literal signing of contracts, to interacting with agents, to the selling of my art. There are real advantages to using technology to spruce up an image, then using the ‘net to send that image to a publisher.