By E.G.C. Clarke, A.C. Moffat
This functional guide and traditional reference paintings presents an authoritative resource of analytical info for medicinal drugs and similar ingredients. it's meant for scientists confronted with the tricky challenge of choosing an unknown drug in a pharmaceutical product, in a pattern of tissue or physique fluid from a residing sufferer or in postmortem fabric. it really is meant to be an invaluable requirement for all forensic and crime laboratories, toxicologists, scientific and analytical chemists, pathologists, poison info centres and scientific pharmacology departments.
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During our time on each island, we lived in makeshift shacks and ate ﬁsh that washed ashore. Once, the boat’s engine stalled, and we were stranded out at sea for three days. Adrift and helpless, we were attacked by three different pirate ships. To this day, I can still see a nervous young Vietnamese man with a wooden stick battling a Thai pirate on the deck of the boat. I remember the blue bandana that he wore, drenched in blood oozing from his head. The gallant stories of my fellow refugees dissolved the shame that I once associated with being a refugee.
Thus, I understood its importance years before I learned everything that had actually happened. Even when I was very young, it confronted me—when I asked about my great-grandparents, for example, or when I asked my maternal grandfather, Grandpa David, why a number was tattooed on his wrist. For Grandpa David, discussing the war seemed a kind of catharsis. I remember taking walks with him when I was a child. As we walked, he told me frightening and terrible stories about his experiences. I listened, realizing even then that his need to tell exceeded my wish not to hear.
Their personal and familial struggles not only have given them an enduring sense of identity but also have inspired their decisions to become doctors. EDDY V. NGUYEN BECOMING AN AMERICAN Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me. I lift my lamp beside the golden door! Emma Lazarus, “The New Colossus” he August 1992 issue of the Smithsonian magazine featured an article entitled “The New Saigon” by Pulitzer Prize–winning journalist Stanley Karnow.