Download Tell It Slant: Writing and Shaping Creative Nonfiction by Brenda Miller PDF

By Brenda Miller

Breathe lifestyles into your nonfiction writing utilizing the knowledge and suggestion during this inspirational advisor each author may still personal

When the poet Emily Dickinson wrote, "Tell the entire fact yet inform it Slant," she supplied today’s writers of inventive nonfiction a few sound recommendation: inform the reality yet don’t turn into mere transcribers of daily existence. creative fact bargains a intensity and vibrancy that is going past the standard. yet how can we, as writers, stream past chilly truth to create dependent nonfiction that makes the main of our person "slant" at the global we are living in?

The award-winning authors of inform It Slant stretch your writing muscular tissues as they show the really expert artwork of inventive nonfiction. no matter if you're writing a memoir or researched essays, the authors will advisor you alongside your trip, utilizing in depth guide and an abundance of writing workouts to teach you ways to:

  • Gain entry in your personal stories
  • Discover the tales round you
  • Find your specific voice
  • Look for cloth open air of your self
  • Address moral concerns whilst writing approximately other folks
  • Tackle (and get pleasure from) heritage learn
  • Avoid clichés and realize clean language
  • And maintain the eagerness of writing alive--even while your good runs dry
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    Extra resources for Tell It Slant: Writing and Shaping Creative Nonfiction

    Example text

    They were all we ever needed. When you set about to write your personal rendition of spirituality, look for the concrete things of the world that will help you find your own koan. What are the essential questions these objects trigger in you? These questions will help you move, as a writer, from the abstract to the concrete. Above all, maintain honesty—with yourself and your reader. If it has been said before, don’t say it. If you veer into platitude and cliché, veer right out of it again. If you find yourself mired in complaint, laugh your way out of it.

    Is your setting a developed character? What kind of character is it: positive, nurturing, menacing, indifferent? Imagine the setting of a scene as a silent character, shaping and adding nuance to the action surrounding it. VARIATION: Write a biography of a place. Choose a street, a forest, an airport (possibly look at Pico Iyer’s essay on the Los Angeles airport, “Where Worlds Collide,” for guidance), a shopping center, anyplace that has character to you, “Taking Place”: Writing the Physical World 37 whether positive or negative.

    Make a list of these words to keep with you. See what moves you have to make to avoid using these words. Which images or scenes arise to take their place? VARIATION FOR A GROUP: Make a group list of such words and promise to abide by the prohibition for whatever duration the group decides. When reading each other’s work, make note of when such words arise and their effect. 5 Gathering the Threads of History Everyone has his own story, and everyone could arouse interest in the romance of his life if he but comprehended it.

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