Download Narrative Progression in the Short Story: A Corpus Stylistic by Michael Toolan PDF

By Michael Toolan

Considered one of our most beneficial capacities is our skill in part to foretell what is going to come subsequent in a textual content. yet linguistic figuring out of this is still very restricted, specially in genres equivalent to the fast tale the place there's a staging of the conflict among predictability and unpredictability. This e-book proposes matrix of narrativity-furthering textual gains is essential to the reader’s forming of expectancies approximately how a literary tale will proceed to its shut. Toolan makes use of corpus linguistic software program and techniques, and stylistic and narratological idea, during delineating the matrix of 8 parameters that he sees as the most important to making narrative development and expectation. The ebook should be of curiosity to stylisticians, narratologists, corpus linguists, and brief tale students.

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Extra info for Narrative Progression in the Short Story: A Corpus Stylistic Approach

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For example, using Wordlist to produce a concordance reveals that the names Corley and Lenehan are among the top twenty most frequent words in the story, but that Lenehan ranks 17th, with 29 occurrences, while Corley is 11th, with as many as 46 occurrences. A moment’s reflection can explain this initially surprising trend: Lenehan, the focaliser and often the focalised, is extensively denoted by personal pronouns rather than name. Roughly the reverse is the case with Corley. A more interesting piece of evidence may be the fact that after the occurrence of some of the more predictable grammatical items and character names as the story’s most frequent words – the, he, of, and, Corley, etc.

Hoey asserts that “We can only account for collocation if we assume that every word is mentally primed for collocational use” (Hoey 2005: 8). And he adds: As a word is acquired through encounters with it in speech and writing, it becomes cumulatively loaded with the contexts and co-texts in which it is encountered, and our knowledge of it includes the fact that it co-occurs with certain other words in certain kinds of context. , Hoey 1983 and 2001). The new focus is not such a radical departure from the emphasis on repetition as it might first appear.

Browne was advancing from the door, gallantly escorting Aunt Julia, who leaned upon his arm, smiling and hanging her head. and then when Gabriel is about to propose a toast to the Three Graces of Dublin: He raised his glass of port gallantly, These six uses of *gallant* are a simple kind of intertextuality, binding the stories of the collection together, but the fact is that it would be immensely laborious to do such a search without an electronic file and simple search mechanisms – and to do it not just for the word gallants from this story title, but also for other semantically rich words in other titles in the Dubliners collection: counterparts, sisters, dead, painful, grace, and so on – on the assumption that titles are in a sense inescapably key words.

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