By Edward Lee
A travel OF HELL
Hell has develop into a sprawling city the place evil interprets into order and monsters mate with the damned. the following Golems stand watch in smoking alleys, whereas gargoyles prowl the ledges of mile-high skyscrapers made up of pulverized bone. Horror is harnessed as strength, and atrocity, torture, and homicide are public legislations. And now devil has found a style to carry little bits of his demented urban to earth.
Cassie is the single girl on the earth who has the ability to go into this unspeakable area. Will she reach foiling the main diabolical plot of all time? Or will she fail and be damned without end within the unending streets of town of Hell?
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Sample text
In Sylvia Townsend Warner’s novel Lolly Willowes, Lolly is a shy spinster-aunt, disregarded by the women of her family. But when she buys a cottage in the Chilterns, Lolly discovers that everyone in the village regards her as a witch, and from this comes a new, and much more powerful identity. 40 In a much more complex and anxious way, Sara Maitland’s story ‘The Burning Times’ dramatises the witch as a figure of all that women want to be. The story is narrated by the daughter of a woman denounced as a witch and burned, and it gradually emerges that it is the narrator herself who has given evidence against her mother.
Just what might seem to constitute ‘strength’ and ‘authority’ for an exhausted working mother? Might there be times when she wants to acknowledge aspects of herself which are not maternal? If she is already a mother, what kind of mother goddess does she need? One who mothers her? What about cultures in which maternity has different meanings? The myth of the Goddess, with its insistence on an identity grounded in the maternal body, betrays its origins in male fantasy. Although modern witches claim to be recovering a pure matriarchal vision from the remote past, such a claim cannot really be sustained once their borrowings from more recent texts and discourses have been traced.
If she is already a mother, what kind of mother goddess does she need? One who mothers her? What about cultures in which maternity has different meanings? The myth of the Goddess, with its insistence on an identity grounded in the maternal body, betrays its origins in male fantasy. Although modern witches claim to be recovering a pure matriarchal vision from the remote past, such a claim cannot really be sustained once their borrowings from more recent texts and discourses have been traced. We must begin with Rousseau.