By Brian Righi
Skeletal continues to be rotting at the back of cellar partitions, temple monks elimination brains with iron hooks, phantom locomotives roaring throughout dead night plains—Brian Righi isn't making these items up. The ghost tales he reveals in background are way more chilling than any Hollywood horror scene.
Join the professional paranormal investigator on a journey via mankind's millennium-old obsession with demise and the afterlife. Ghosts, Apparitions and Poltergeists surveys 4,000 years of hauntings and ghost huntings—from the embalming rituals of historic Egypt to the Ouija forums and séances of 19th century Spiritualism—highlighting a couple of outlandish stories and colourful characters alongside the best way.
Once you've realized the background, release a magical research of your personal with Righi's advisor to fashionable ghost looking, choked with exact recommendation culled from his seven years of expertise within the box.
Read or Download Ghosts, Apparitions and Poltergeists: An Exploration of the Supernatural through History PDF
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Additional info for Ghosts, Apparitions and Poltergeists: An Exploration of the Supernatural through History
Sample text
And what were the medium's sensations, during sessions? When the table was being levitated, Crawford had found, almost all of its weight was added to the weight of the medium. ' In his early experiments, the medium's muscles had reacted, as she sat in her chair, as if she were applying physical force — as it might be to her chair, holding herself down. But gradually this muscular effort had diminished; she told him that `she experiences now no sensation whatever during the occurrence of phenomena' — though the phenomena themselves had not changed.
Crawford's new findings, if he had been able to have them confirmed, as his earlier studies had been, by members of the SPR, would have compelled a radical revision of ideas about, and attitudes to, physical mediumship in the society. But Crawford, trying to catch up with his university commitments, had a nervous breakdown; and in the summer of 1920 he committed suicide. In a letter to Gow, the editor of Light, he explained that his collapse was due to overwork, and had nothing to do with the Goligher circle.
He was dressed in his full flying clothes but wearing his naval cap, there being nothing unusual in his appearance. His cap was pushed back on his head and he was smiling, as he always was when he came into the rooms and greeted us. In reply to his `Hello 74 Post War Britain - boy' I remarked `Hello! ' He replied, `Yes. ' I am not positively sure of the exact words he used, but he said `Had a good trip' or `Had a fine trip' or words to that effect. I was looking at him the whole time he was speaking.