By Carolyn FitzGerald
In Fragmenting Modernisms , Carolyn FitzGerald strains the evolution of chinese language modernism through the battle of Resistance opposed to Japan (1937-45) and chinese language Civil warfare (1945-49) via a sequence of shut readings of fiction, poetry, movie, and visible artwork
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Extra info for Fragmenting modernisms : Chinese wartime literature, art, and film, 1937-49
Sample text
We can’t say what it is (we are so young). Endless joy flows out of our blood. , p. 134. , p. 135. , pp. 81 and 374–75. 29 According to Mu Dan’s classmate Wang Zuoliang 王佐良 (1916–95), many of his works were printed on Lianda’s wall newspapers. , Yige minzu yijing qilai, p. 2. 30 In this line, “drags down” is my translation of lao 捞. More literally, lao means “to fish with a net” and expands the metaphor introduced in the first line of the poem of the city as a fishnet. a sonnet in an air-raid shelter 41 We rise and fall on wave upon wave of glossy, green fields.
We see the translucent sea embracing China, A round glass mirror reflecting a fresh and inviting fruit, A village resting on the half arc of its sweet and refreshing skin, Revolving in the light of the sun, revolving beneath the feet of a colony of ants. They walk everywhere, listening closely to the moving song of spring! Listen! Their blood is conversing with the heart of the wilderness. ) Oh! We can’t say what it is (we are so young). Endless joy flows out of our blood. , p. 134. , p. 135. , pp.
Cai Xiaomin, “Jiu lai xingchu hao zhuixun” 久来兴初好追寻 (Fond of Pursuing the Early Excitement of Long Ago), Qinghua xiaoyou tongxun 清华校友通讯 (Communications from Tsing-hua Alumni) 62 (January 1978): 17; cited in Israel, Lianda, p. 48. , Renditions 21 (1984): 252. , Mu Dan shi quanji, pp. 134–36, 39, 41, 45, 81, and 83. Three thousand li 里 is roughly equivalent to 1200 miles. 27 Mu Dan’s two-part poem “Walking in the Wilderness—Traversing Three Thousand Li on Foot” tells the story of his experiences on the trek to Kunming.