By Frances E. Mascia-Lees
A significant other to the Anthropology of the physique and Embodiment bargains unique essays that research historic and modern techniques to conceptualizations of the body.
- In this ground-breaking paintings at the physique and embodiment, the most recent scholarship from anthropology and comparable social technological know-how fields is gifted, offering new insights on physique politics and the adventure of the body
- Original chapters conceal ancient and modern ways and spotlight new examine frameworks
- Reflects the expanding value of embodiment and its ethnographic contexts inside of anthropology
- Highlights the expanding emphasis on reading the creation of medical, technological, and clinical services in learning our bodies and embodiment
Read Online or Download A Companion to the Anthropology of the Body and Embodiment PDF
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Extra resources for A Companion to the Anthropology of the Body and Embodiment
Sample text
However, registered attendees came from all over, including outside of the United States, but tended to be from the mid-West, upstate New York, and, to a lesser extent, the West. Established in the 1980s, the GPI Arts and Crafts Conference is the most important event of the year for Arts and Crafts enthusiasts. The conference is an interesting hybrid, combining lectures, small group discussions, and an artisan craft show with as many as 125 exhibitors. The conference format underscores the centrality of intellectual pursuit as an appeal of Arts and Crafts consumption.
What role does beauty – its creation, presence, and assessment – play in the fabric of their experiences of everyday life? As a larger research agenda, focusing on different dimensions of “aesthetic embodiment” should reveal significant insights about how the aesthetic constitutes a lived world. E. Valentine Daniel’s 1994 comparison of beauty and pain as aesthetic experiences in “The Individual in Terror” is particularly instructive. Focusing specifically on the relationship of beauty and pain to language, he argues that both are “concerned with the sensory ...
6 Functionality and utility were key to the Arts and Crafts ideal as well. Consequently, Arts and Crafts manufacturers and craftspeople using a simple design and natural, high-quality materials produced virtually every item used in daily life. Although Morris did not reject the machine as long as it did not rule labor, Stickley actively embraced it. His intent was to change the conditions of industrial work, using the machine to better the lives of all people. He, thus, used factory methods to produce basic components and utilized craftspeople to finish and assemble the product.