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Sharrad, Paul. "The Art of Memory and the Liberation of History: Wilson Harris's Witnessing of Time." Theatre guild mag Our puppet show: from a dramatist's work- shop. Portrait of Victor Hugo, from the British Library. The conflict between justice and mercy is a conspicuous feature of the great tragedies, notably King Lear, and is ultimately resolved, in its tragic context, in Coriolanus, when the hero spares Rome and gains his greatest victory—that over himself.
Pages: 304
Publisher: Penn State University Press (July 22, 2011)
ISBN: 0271036133
Caffe Cino: The Birthplace of Off-Off-Broadway (Theater in the Americas)
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download online A Source Book in Theatrical History: Twenty-five centuries of stage history in more than 300 basic documents and other primary material online. Constance Valis Hill (2003) includes “challenge dance” performances, stemming from the African-American tradition of dance “battles”, where the purpose is to win an ever-escalating competition of skill and style. Like somatic improvisation, challenge dance improvisation can be offered for audience appreciation in a concert context but need not be – it has taken place in social and street settings, for entertainment as well as for “artistic” purposes ref.: Theatre and Fashion: Oscar Wilde to the Suffragettes
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Performative and Textual Imaging of Women on the Irish Stage, 1820-1920: M.A. Kelly to J.M. Synge and the Allgoods
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Revisiting Shakespeare's Lost Play: Cardenio/Double Falsehood in the Eighteenth Century
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Contemporary Censorship and Performance (Theater (Duke))
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A Possible Theatre: The Experiences of a Pioneer Director in America's Resident Theatre.
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The Show and the Gaze of Theatre: A European Perspective
Amphitheatres and Circuses: A History from Their Earliest Date to 1861, with Sketches of Some of the Principal Performers (Clipper Studies in the Theatre,)
Beyond the Footlights: A History of Belfast Music Halls and Early Theatre
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