Download Works Volume 3 The Psychogenesis of Mental Disease by Jung Karl Gustav PDF

By Jung Karl Gustav

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Significantly, defenses of the theater counter the metaphor of prostitution with metaphors for acting that may be more soothing to bourgeois morality but are just as likely to reflect poorly on actors’ masculine sexuality. If the antitheatrical literature tends to cast the actor in the role of whore, many defenses of the theater and of acting as a profession cast the actor as a wife in relation to his audience. Thomas Heywood, an actor himself, realizes that actors “stand in the broad eye of the world” and must bear public examination—like a respectable woman.

The privatization of feminine sexuality, combined with the growing efforts to define acting as “respectable,” rendered the “respectable” actress a contradiction in terms. Discourse about actresses evinces a not-alwayssuccessful cultural struggle to contain contradiction and ambiguity. But the actor poses another, specific set of problems. How does one reconcile the specularized (and sexualized) male body with emergent definitions of masculinity that increasingly stress the spectatorial, seeing-but-not-seen nature of authority?

Probably John Greene) hints even more strongly at the analogy between acting and prostitution. Playgoers are “in their heartes willing to consume many Patrimonies, yearly spending many poundes on these vaine representations. By which meanes, the actors of them find such sweete gaines to maintaine their idle life, 36 CHAPTER II that they give their whole industrie to various and mimical inventions, that they might become Men-pleasers, and those most of the prophanest condition” (Refutation 4).

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