Download Wild Things: The Material Culture of Everyday Life by Judith Attfield PDF

By Judith Attfield

What do issues suggest? What does the lifetime of daily gadgets after the check-out exhibit approximately humans and their fabric worlds? Has the hunt for 'the actual factor' develop into so vital as the excessive tech global of overall virtuality threatens to engulf us?This pioneering ebook bridges layout conception and anthropology to provide a brand new and not easy means of knowing the altering meanings of latest human-object relatives. The act of intake is simply the start line in items' 'lives'. Thereafter they're reworked and invested with new meanings that replicate and assert who we're. Defining layout as 'things with angle' differentiates the hugely seen stylish item from usual artefacts which are taken with no consideration. via case stories starting from copy furnishings to type and textiles to 'clutter', the writer lines the relationship among gadgets and authenticity, ephemerality and self-identity. yet past this, she indicates the materiality of the typical by way of area, time and the physique and indicates a transition with the passing of time from embodiment to disembodiment.Shortlisted for the layout historical past Society Scholarship Prize 2001-2002

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6 Somehow there is something quite natural about ‘things’. Things seem always to have been there, defining the world physically – through such objects as walls that determine boundaries separating spaces and doors that give or prevent access. Things are ubiquitous like furniture that gives support to our bodies when we sit down, and paths that direct our feet where to walk, vehicles that transport us as we travel about on the daily round. Things lend orientation and give a sense of direction to how people relate physically to the world around them, not least in providing the physical manifestation, the material evidence of a particular sense of group and individual identity.

The characteristic which distinguishes design in this sense, is the practice that produces ‘things with attitude’, the material culture of innovation driven by a vision of change as beneficial. It is a larger project than tracking a history of periodisation that categorises objects according to their conformity with a particular aesthetic form, be it the ‘streamline’, the ‘machine aesthetic’, minimalism or any of the other nomens given to distinguish products of one decade from another. Thus modernity is seen as the articulation of a particular type of attitude towards change in which the focus shifts from attempting to reconstruct the past to creating a new type of future, as the only temporal space where it is possible to bring agency to bear in material form.

The context for this study is British design within the context of Western culture referring mainly to British design with some reference to design in Europe and the United States. 5. ‘Design studies’ is used here to include the history and theory of design in the context of the current debate that contests the limits placed upon it according to whether it is contextualised within practical or academic frameworks of enquiry. The position taken here is that there is an inextricable intellectual link between practice, history and theory but that there are institutional realities in terms of weight and emphasis given to any such division according to its appropriateness to specific courses.

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