Download The Spanish Flu: Narrative and Cultural Identity in Spain, by R. Davis PDF

By R. Davis

Though as soon as relegated to the proverbial dustbin of heritage, the 1918 Spanish flu epidemic is now widely known because the so much devastating ailment outbreak in recorded heritage. This cultural heritage units out to reconstruct Spaniards' collective event of the flu, and to track the emergence of competing narratives that arose based on modern bacteriology's failure to give an explanation for or comprise the disease's unfold. As writer Ryan A. Davis demonstrates, while a society loses its most important technique of figuring out an occasion of this significance, it needs to flip in different places for solutions. What Spanish narratives of the flu shared used to be a discursive anxiousness revolving round the renovation of a specific suggestion of nationwide identification - person who was once fairly obvious within the journalistic debts of the period.

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Additional resources for The Spanish Flu: Narrative and Cultural Identity in Spain, 1918

Sample text

Contra El Sol, the ABC article begins by explicitly referring to the disease as inf luenza. ”12 The expression parece que, together with the unidentified quien, augments the tone of the term extraña, all three highlighting the uncertainty associated with the epidemic. The conjunction of specific temporal references (hasta ahora and the present perfect of no ha determinado), qualitative assessments ( poca costa and sencillas), and the uncertainty of the generic, subject-less parece que serves to undermine the information about the epidemic communicated in the article.

Steven G. ”122 Imposing discursive order on the Spanish f lu is precisely what the Naples Soldier accomplishes. The second cognitive function has to do with La canción del olvido as a double-scope story, and the cultural implications of the Don Juan figure. La canción del olvido provides the plot structure to f lu discourse that, because of the emergent nature of the epidemic, is missing. In other words, in the zarzuela, Spaniards find a narrative template with which to structure their experience of the epidemic.

57 Perhaps in response to these less orthodox theories, the physician José de Eleizegui solicited and published the medical opinion of at least nine different doctors in the Heraldo de Madrid on June 4 and 6, 1918, in an effort to give the public debate surrounding the epidemic a patina of medical authority. ”58 By contrast, Call echoed Marañón’s earlier vacillation regarding the role of the laboratory by privileging the observation of physicians over the insight of the microscope: “Doctors certainly don’t need the intervention of the laboratory to clear up their doubts.

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