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By Mark Byrne

Название этого издания можно перевести примерно как «Искусство монтажа и раскадровки». Фактически, оно является руководством для новичков в одной из самых захватывающих областей мультипликации для фильмов, телевидения, компьютерных игр но также может служить и учебником для художников-графиков и иллюстраторов, т.к. в нем весьма подробно рассматриваются вопросы перспективы, композиции, техники изображения персонажей и пр.

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19 authors per paper. 2 %). 2, while details for the authors who have written 5 or more articles each are provided below. • 14 articles: Peggy E. Chaudhry, of Villanova School of Business, Villanova University, USA, is the most productive author of all time. She has authored a total of 14 articles, of which 2 as a single author and 12 in co-authorship. • 11 articles: Ian Phau, Curtin University of Technology, Australia. • 9 articles: Deli Yang, Bradford University School of Management, UK. • 8 articles: Ram D.

Out of the 572 articles analyzed, 162 articles did not make a direct reference to any specific industry, discussing counterfeit and/or pirated goods in general. 7 %) (Figs. 24). 0 50 100 Software Music 200 250 300 350 400 91 Content goods (music, movie, software, print, video games) 61 Luxury 52 Fashion (apparel and accessories) 48 Multi-industry 23 Movie Mobile Phones 150 92 19 6 Other 6 Automotive 4 Pharmaceutical 3 Video games 3 Grocery 2 Fig. 5% Fig. 6 Conclusion This chapter delved deeply and descriptively into the past 35 years of academic literature on counterfeiting and piracy, highlighting trends and figures in terms of typologies, methodologies, samples, methods of analyses, authorship, citations, product categories, industries and distribution channels.

With the emergence of the knowledge economy and the advent of new digital technologies, for example, the whole concept of Intellectual Property enforcement needs to be revised and modernized. 2 International and National Legal, Political and Economic Frameworks on Counterfeiting and Piracy Previous literature describing the national and an international legal framework governing counterfeiting and piracy worldwide, has emphasized the difficulties governmental entities face in normative enforcement, mostly in the digital setting.

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