Download Greek Gold from Hellenistic Egypt by Michael Pfrommer PDF

By Michael Pfrommer

As the real provenance of this perfect gold jewellery within the J. Paul Getty Museum is unknown, the secret of precisely what it really is needs to be solved. Why are those gorgeous adorns known as Greek gold? How can we be aware of they have to were produced in Egypt in the course of Hellenistic instances, the interval that coincides with the Ptolemaic dynasty? was once the landlord easily a prosperous member of society? A member of the court docket? Or a priestess? the adventure via 3 centuries, starting approximately 350 B.C., takes us from the empire-building Alexander the good to the beguilingly formidable Kleopatra VII, alongside the best way offering solutions to these questions. This sweep in the course of the turbulent heritage of the japanese Mediterranean supplies an image of the Greek-Egyptian mixing of faith and artwork. even supposing a lot is left to the mind's eye, the elemental evidence do come to gentle, and the aspects and surfaces of the Getty’s golden treasure enhance us with new understanding.
Greek Gold from Hellenistic Egypt is a part of the Getty Museum reviews on artwork sequence, that's designed to introduce person artistic endeavors or small teams of similar works to a extensive public with an curiosity within the historical past of art.
Each monograph is written via a number one student and lines an in depth dialogue of its topic in addition to an in depth research of the wider ancient and cultural context during which the paintings used to be created.

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Extra resources for Greek Gold from Hellenistic Egypt

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In Ptolemaic times reference was made to this very special legend on Délos, the sacred island 38 of Apollo where Arsinoë/Isis was worshiped along with Apollo and Artemis. The Getty gold adds new support for the Artemis connection, for the second finger ring unmistakably depicts this goddess of hunting and the animal world [FIGURES 2ya-d]. Like Tyche on the other ring, Artemis leans against a pillar, but her pose is far more exaggerated. The left hip protrudes notably, and her figure rests on her invisible left foot; the right leg crosses in front with its heel turned outward in an almost mannered fashion.

He was successful in retrieving the diadem, but in order to protect it, he put it on his own head, and by so doing gambled with his life. The action could have sentenced him to death for having profaned the symbol of kingship. Luckily he was given a monetary reward instead. Because the diadem is a symbol of royalty, applying the term to the Getty piece might suggest a royal status for the anonymous owner—a conclusion that cannot be corroborated in this case. The style of Hellenistic Herakles knots on jewelry changed over time, and therefore the knots provide a good chronological framework for dating.

Of course, there is no archaeological need to identify the bullhead earrings with the Apis bull. However, any educated Ptolemaic subject who believed Eros symbolized divine royalty could view the bull similarly—and both would be appropriate for representation on jewelry. What in other parts of the Greek world would have been understood as a conventional motif, with its source in Greek mythology, would in Egypt have been understood as royal and divine. The remarkable bull/Eros pendants have yet another unusual feature that reflects the opulence of the time.

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