By Gene H. Bell-Villada
Gabriel Garcia Marquez is likely one of the so much influential Latin American writers of the 20 th century. His specific literary creativity is rooted within the background of the sector, with all its social and political implications.In this superbly written exam of Garcia Marquez and his paintings, Gene Bell-Villada lines the foremost forces that experience formed the Colombian novelist and describes his existence, his character, and his political views. He considers Garcia Marquez's position in international literature and analyzes his brief fiction and all of his novels from the good and complicated 100 Years of Solitude—a cultural phenomenon the likes of which we have now seldom seen—through Love for the period of Cholera. He indicates why Garcia Marquez has accomplished a confluence of excessive artwork and well known luck that's almost specific within the 20th century.Bell-Villada examines the narrative works of Garcia Marquez for his or her old and human content material, for his or her literary method and constitution, and for his or her specialist use of myth, ribaldry, humor, and satire. He describes Garcia Marquez as an international phenomenon and as a neighborhood boy, as a Nobel Laureate and as a Latin American Everyman, as a political author and as a novelist of love.The e-book will entice a vast spectrum of readers—generalists who take pleasure in his novels, lecturers and scholars, and literary experts and Latin Americanists investigating the tradition and politics of the area.
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Extra resources for García Márquez: the man and his work
Example text
The costeños can also take some pride in their historical roots. For obvious reasons of access the Caribbean coast was the first part of the country subject to Spanish "discovery" and colonization. Columbus himself on his fourth voyage explored the area and encountered the central waterway now known as the Magdalena River. Santa Marta, at the foot of the Eastern Sierra Nevada, was founded by Rodrigo de Bastidas in 1525, though abolished by papal decree in 1562 and rebuilt in 1577. The first continuous Spanish settlement in all Colombia, then consisting of a typically modest series of thatched huts, is Cartagena, dating from 1533.
García Márquez country is actually the Colombian north coast, a region that, in its clime, ethnicity, and architecture, seems directly transplanted from the Antilles. Caribbean Colombia's tropical heat and ocean breezes, its aromas of raw fish and seafood, and its intense maritime greens and blues are features instantly recognizable to anyone familiar with Cuban or Puerto Rican landscapes. Formal men's wear in García Márquez's world consists of elegant Cuban-style guayabera shirts rather than coats and ties.
To many foreign readers, this panorama of South American creativity has come to be symbolized by the figure of Colombia's Gabriel García Márquez, whose work combines features both of Tolstoy the realist storyteller of everyday life and of Dostoevski the visionary fantasist and satirist. Of course the name García Márquez primarily conjures up his One Hundred Years of Solitude, that cultural phenomenon the like of which we see seldom in our century. Here is a great and complex book that, within its covers, includes every possible aspect of human life and, in its art and structure, demonstrates a sophistication and mastery the equal of Melville, Joyce, Proust, Faulkner, or Nabokov at their best.