By Terence Measham, Bernard Arnault, Pierre Berge
Волшебство Моды от Christian Dior , революционные проекты и элегантная , изящная одежда.The identify Christian Dior has been synonymous with style and glamour for over 50 years. From the instant Christian Dior and Marcel Boussac determined to discovered the couture condominium of Dior, the garments that they've produced has been considered as fashionable and stylish. not just was once the home of Dior famous for its progressive designs, however it used to be additionally the 1st model apartment to gain the industrial strength sought-after label can have. In 1949 they signed the 1st of many licence agreements for Christian Dior hosiery within the united states. This e-book lines the background of the main well-known style condominium on the planet, from its notion in 1946 to the trendy period the place it maintains to flourish within the cut-throat global of the style enterprise. Essays by means of prime figures on this planet of favor, mixed with archive images supply an perception into the soul of the corporate.
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Additional resources for Christian Dior: The Magic of Fashion
The success of Dior's New Look sparked the revival of haute couture, and his authoritative word made headline news both in France and abroad. The postwar period was a time of intense interest in French fashion and Australia became part of an international audience that played an important role in the making of 'French style'. Despite the distance, Australia was by no means isolated from the influence of Paris. Communication and travel improved dramatically after the war and, through the efforts of the fashion media, department stores and the couture houses, those Australians interested in fashion were able to keep a close eye on Paris couture, particularly the House of Dior.
T i n y waists and whirlaway skirts cause sensation', Sydney Morning Herald, 2 August 1 9 4 8 , p5. 5. ' N e w Look D i o r calls us representative', Elene F o s t e r , Sydney Morning Herald, 27 April 1 9 4 8 , p 5 . 6. Interview with Paule Paulus, M e l b o u r n e , 13 August 1 9 9 3 . 7. Correspondence with the Countess of H a r e w o o d , 1 O c t o b e r 1 9 9 3 . 8. ' T h e N e w L o o k and foundations', Draper of Australasia, 28 February 1 9 4 8 , p 4 2 . 9. Sydney Morning Herald, 15 N o v e m b e r 1 9 5 1 , p 1 3 .
L o w - c u t , strapped bustier. Longue (Long) line Princess cut. Short jacket with wide Evening gown in red silk organza, sleeves, no e m b r o i d e r y . halt-cup bustier bodice decorated Christian D i o r Archives with a red faille b o w with long ties. W i d e skirt with train. Sinueuse (Sinuous) line U F A C , Donated by Mrs Arturo Cocktail ensemble in black Starella Lopez-Willshaw silk taffeta. Short-sleeved camisole top, overlaid at the front and tied. C O U P DE THEATRE V e r y wide skirt, gathered at the waist Spring-Summer 1951 then nipped in at knee length.